Acclaim

"Timothy Murray's Don Giovanni seduces with the quality of timbre, the mastery of the voice, and a certain nobility of phrasing"

"On the stage, let us first pay tribute to the title role, that is to say the American baritone Timothy Murray, who embodies with exemplary fullness and intelligence the equivocal character of Don Giovanni, with an ideal physique for the role , and a voice with clear and homogeneous intonation across the entire range. A model of musicality, perfect in taste and style (superb half-tones in the serenade “Deh, vieni alla finestra”), with formidable intelligibility in the recitatives, he portrays an excellent Don Giovanni."

"Timothy Murray owns the role. He is Don Giovanni in all aspects, from the most detestable to the most enjoyable... the voice has this bewitching mellowness"

"The American baritone Timothy Murray deploys an elegant and seductive Don Giovanni"

"Baritone Timothy Murray was a suave, elegant but pompous, mean and lecherous Count, projecting strong feelings in 'Hai già vinta la causa... Vedrò mentr'io sospiro.' The Count's repentance in the finale seemed truly sincere, matching the gorgeous, moving music."

"Timothy Murray's Count was the major find among the principals, with a strong sense of legato, and consistently making his points through the musical line. Murray's warm lyric baritone has a pleasingly fast vibrato, and he handled the difficult concluding bars of his aria better than many more famous baritones. Bravo!"

"Timothy Murray masterfully balanced seductiveness and smarminess, and displayed a superb legato line. He is a Mozartean to the manner born, and his performance of 'Hai giá vinta la causa' was the evening’s highlight."

Cameron Kelsall

Broadstreet Review

“Timothy Murray stood out for his rich baritone and magnetic swagger, and the nerve to perform much of the opera in boxer briefs."

"Timothy Murray is a fine young baritone, with a particularly lovely and darkly colored tone."

"Valmont was sung by Timothy Murray, who has a consistent, attractive baritone and grows into the swaggering, rakish aspects of the role as the opera progresses."

"Timothy Murray sang with a firm, flexible baritone."

The New York Times